Midi Sequencers: The Brain Of Your Home Recording Studio

A MIDI sequencer is a device that records a song that you play on a MIDI instrument (or series of instruments) and uses the recorded data to play these instruments the same way that you did when you recorded them. It is more than just a glorified tape recorder, though. What gets recorded is not the sounds themselves, but the commands that you gave the MIDI electronic instruments that told them to play this or that note in this or that sequence with a particular tone, volume, pitch, timbre, etc. The recording takes the form of a series of numbers that, when translated into electronic form, cause the sequencer to send out electrical pulses that play back the composition just as you played it. Once these commands are recorded in digital form they can be modified in just about any way you like, so that you can keep adjusting your song any way you please without having to play the entire composition again every time you want to make a change. Its sort of like the difference between a typewriter and a word processor in its ability to easily modify anything it records, including mistake you may have made during recording.

But its even better than that a MIDI sequencer offers a degree of control over your recording that is unmatched. For example, when you play back digital audio at a higher speed, it changes not only the tempo but the timbre and the pitch as well, resulting in a distortion of the original sound. A MIDI sequencer will alter the tempo without changing either the timbre or the pitch (unless you want it to).

In fact, there are a million (or more) alterations you can make to your composition until you get it sounding just the way you want it to sound, and these alterations can be made either real time (during playback) or you can stop playback and re-arrange each note individually using a display that includes symbols representing every aspect of your recording.

Get Creative To Find Music Production Jobs

So you’ve got that degree in Music Production – but after months of scouring the want ads, you’re beginning to wonder if you shouldn’t have backed it up with a minor in Education. Don’t despair yet – you’re a creative person or you wouldn’t have chosen this business to begin with. The secret to finding and getting music production jobs is to use some of that creativity in your job search.

There are three things to keep in mind when doing a creative job search for music production jobs:

1. As many as 90% of the jobs in any media occupation never get advertised through regular channels. The music production companies get enough over the transom resumes that they can pick and choose without advertising.

2. In many music production jobs, networking will be a key part of your job description. If you can’t network to get a job, you’ll have a hard time convincing a hiring manager that you can do the job.

3. Sometimes the best way to get your foot in the door is to intern for a music production company. According to a recent survey conducted by CareerExposure, 94% of employers have offered a full time job to interns when their internship was finished.

Keeping those three things in mind, you can put together a creative music productions job search that will land you the position that you want using the following blueprint.

1. Do your homework. You should know the music production jobs that you’re going after inside out. Read up on the web, visit the library and bookstores and find out all that you can.

2. Start applying your networking skills. Make a list of people you know who may be able to help you. Don’t forget to include people like your ex-teachers, business acquaintances and people you know through other people. Did you do sound levels for a band? Have you interned for a publisher? Have you got a chance to attend a media symposium? Those are all important contacts for you when you’re trying to network your way into music production jobs.

Boldness is an important skill to cultivate here. Ask for letters of introduction, or for permission to use someone’s name when you contact another. It’s amazing how quickly you’ll get results with a simple statement like, “Hi, Mr. Producer, my name is Interested Party. My professor, Ms. In-The-Know suggested that I call you when I told her that I’m interested in an internship with your company. Do you have a few moments to talk with me about that now, or is there a better time to call you?”

3. All right, you’re not quite that bold? There are several different methods of approach you can use to contact people who hold the keys to music production jobs.

- Mail is the most traditional method. Once you’ve researched enough to know what companies you want to work for, and who makes hiring decisions there, you can mail a resume along with an excellent cover letter. Chances are though, that you’ll have to follow up on your initial mail. Remember point #1 above – music production companies get loads of over the transom resumes.

- Email is a second option, and is a reasonable way to follow up as well. If you’ve sent your resume by mail, wait a few days and then follow up with an email to the hiring manager stating that you’re following up on your mailed resume and are very interested in discussing possible career options within his or her company. If you haven’t, send a cover letter and resume via email, and follow up in a few days with a second email.

- Telephone calls may be scary, but they are one of the quickest ways to get through to the person you want to speak with. Keep in mind that your phone call is an interruption to the hiring manager’s day – be pleasant, be brief and be direct.

The secret to finding and getting music production jobs is being bold enough to get yourself out there and sell your skills and abilities. With only 10% of the available jobs ever being offered openly in the classifieds, it’s the only way that you’ll ever know what music production jobs are available.

Make Your Own Beats, Instrumentals, Tracks, and Demo CDs Part 2

There are many, many ways to make money with your own music. The first thing you need to do, though, is break it down into pieces, or components we will call them.  

There are 4 key components to any track, or song. You have soundsets, which are nothing more than beats, sounds, scratches, etc. You have loopsets, which are your soundsets when put together in a loop. You have instrumentals, which are completed tracks with no voice or lyrics. Finally, you have completed tracks, which are basically just instrumentals that include lyrics.

When you look at music from this angle, broken down into components, you will start to see many ways to make money with your own. Like I mentioned at the beginning of this report, people are not only paying for completed tracks, they are also paying for the components individually. If you can create you own, good components, people will buy them.

Again, search the Internet for these components. Doing so will not only show you how much you can sell your components for, but also where you can sell them. As long as people are listening to music, there will always be a demand for it, and I can't see people stopping anytime soon.

If you are interested in learning how to make money with your own beats in more detail, I recommend you check out Bob Bakers website (see "about the author" at the bottom of this article). Bob Baker is a writer, indie musician and former music magazine editor who is dedicated to showing musicians of all kinds how to get exposure, connect with fans, sell more CDs and increase their incomes through their artistic passions. He is also the author of the Guerilla Music Marketing Handbook, as seen in the major motion picture The School of Rock ... and in VIBE, Music Connection, Electronic Musician and American Songwriter magazines. This is the guy you should listen to. Here are some of the things you will find at his website...

- 197 Promotion Tips, Tricks, and Resources for Independent Musicians.

- 101 places to submit press releases, get reviewed, uncover PR connections and promote your music on the Internet. Supplies the exact website and email addresses for submitting your music news.

- The 29 most important elements in creating sizzling music publicity materials. Make sure your media kit gets noticed by editors, writers, booking agents, program directors, and other industry people.

- 50 ways to promote and sell your music on the Internet.

- And more, including his coveted Guerilla Music Marketing Handbook.

I hope this report has proved useful to you and I wish you all the best as you learn how to make your own beats, tracks, and even complete demo cd's.